THEME BY PISTACHI-O
Come in to my world.
This blog is highly schizophrenic,
I celebrate all things fandom & Non-fandom related.
There will more than likely be bizarre ramblings, silly thoughts and serious fan-girling on various cool and super-geeky things.. But hey... why not hangout? x

My Reaction To Being Woken Up!




cooperspooper:


"When I was younger, I considered a lot of things but I couldn’t choose, so I thought that being an actor would let me have many lives. It was a way to do all the jobs I wanted to do."

Marion Cotillard | September 30, 1975

cooperspooper:

"When I was younger, I considered a lot of things but I couldn’t choose, so I thought that being an actor would let me have many lives. It was a way to do all the jobs I wanted to do."

Marion Cotillard | September 30, 1975










Happiness can be found, even in the darkest of times, if one only remembers to turn on the light.




"We always talk about the downside of [fandom] because that’s the more colourful thing to talk about. There are many more fans out there whose response to wishing for creative control is to make up their own stories. And to make up their own ideas, and to make beautiful drawings, and scripts of their own. There is the slash fiction - and why not? What’s wrong with porn? It’s made many people in this room happy; it’s a vessel of human happiness, why should we object to it? It’s a creative response to something! That’s brilliant and wonderful and heartening and exciting when that happens. Because that’s how people start being writers. It is. You start being a writer by imitating other writers. Mark and I never stopped!…That is a hugely positive thing and yes, of course, somewhere in amongst that there is the clinically insane, but we can’t allow that to dominate the conversation."  - Steven Moffat on fans and fanfiction at Sherlock: Anatomy of a Hit [x] (via thecutteralicia)







I'M FLAWLESS






aposse:

Let me tell you about the sheer brilliance that is Meryl Streep and her creation of Miranda Priestly.

Ask any young woman what her favourite film of Meryl’s would be, and I’m quite certain that The Devil Wears Prada would come up in conversation, favourite or not. And it may seem like a generic answer: oh, a film about fashion, so obviously women would identify with it. No, that’s not it. This film isn’t about fashion. This film, as Meryl says, “is a story about a woman at the head of a corporate ladder who’s misunderstood, who’s motives and pressures on her are intense and who doesn’t have time to play certain nice games.”

And though screentime and first bill casting can indicate that Andrea Sachs is the main character, who are you really left thinking about at the end of the film?

Miranda Priestly — the woman who was written as a fictional equivalent to Anna Wintour from the novelist Lauren Weisberger’s experience as her assistant — in the novel was a raging, two-dimensional boss from Hell written only to antagonize and complicate the lives of her employees with impossible standards and even more impossible demands. She was expected to resemble Vogue’s editor-in-chief (Miranda’s office in the film a near replica of Anna’s), so imagine everyone’s fucking surprise the first day Meryl showed up on set wearing an untested wig white as snow, with a voice that never raised, where the most deadly delivery was a whisper.

But this scene on the right, this scene that hadn’t existed until Meryl went and thought, “wait a minute, there’s an imbalance of character here…” so she brought it to light and this was written. Sparingly, as it was said, yet one of the very few scenes to be altered in the entire film. This is how it went: Meryl showed up to the scene without any make-up. She walked in, didn’t talk to anybody, sat down and did it, got up and left, went downstairs and waited. She did this scene once.

Once. 

Once.

And the thing is, this wasn’t meant for you to suddenly cheer for Miranda; it was to show you that she was human and that her success came with a costly price that hurt her the most. She thawed the Snow Queen, extinguished the flames of the fiery boss from Hell and gave her what she never had on paper: substance.

If completely reinventing a character from a subpar novel by giving her actual character and successfully distinguishing her from the woman she was based on isn’t considered pure talent, then I don’t know what is.